MINNESOTA SOUND REVIEWS - 01/10/2024
Reviews by: Mike Larson, Writer @holdingcaufield
Edited by: Andrew Perrizo, Owner/Editor @PlaylistTC
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Top songs on the Minnesota Sound playlist.
Double Grave "Country Radio"
Double Grave takes you on a contemplative journey with "Country Radio." The slow, slippery guitar sets a melancholic tone reminiscent of a familiar drive from Minneapolis to Chicago. The explosion of hard emo instrumentation in the second half adds a moment for reflection. What stands out is the delicate aspect of the vocals maintaining their charm even as the music intensifies. The seamless synergy among band members showcases their long-term connection. A prime example of the midwest "indie-something" vibe done exceptionally well, "Country Radio" is a captivating track from Double Grave's 2023 album, "What Else."
Slayvanna, Swofford "Radio (Play It Again)"
"Radio (Play It Again)" by Slayvanna, Swofford is a sparkly and deep pop gem. Overflowing with pop magic, this track is destined for the radio airwaves. It's a delightful journey of hooks, each more engaging than the last. The song's dynamic quality is a testament to its intentional and tasteful production, crafting a sparkling and professionally cared-for sound. Get ready for a contagious ride through the enchanting world of "Radio (Play It Again)," which can be found on “Club Pop-ography.”
Ben Siroka "Tide Pods"
From the EP “Don’t Go Outside,” Ben Siroka's "Tide Pods" is a relatable exploration of uncertainty. Mirroring the theme, the track blends beefy and bright drums with downbeat keyboards and a relaxed vocal performance. The intentional craft and care shine through in this dynamically rich composition. It's a musical journey that resonates with the complexities of not always knowing how one feels. Let the energy of the uptempo drums and soothing vocals take you on a thoughtful ride with "Tide Pods."
Aesha Minor "CTRL"
"CTRL" by Aesha Minor invites you into a captivating musical landscape. Starting with acoustic guitar and solo vocals, the addition of a deep gritty synth and dynamic drums propels the song forward. The bouncy bass line adds motion and fun, creating a warm mix full of shifting dynamics and well-placed samples. Aesha's falsetto gracefully tops off this mesmerizing track, showcasing a skillful blend of elements in this finely crafted composition. You can find “CTRL” on Aesha Minor’s album “Seven Summers.”
DaboFlai, Ypg moneymac "No Friends From 2010s”
The piano's pretty and deep tones set the stage for "No Friends From 2010s," allowing the vocals to shine brightly. The massive and blown-out drums provide a powerful contrast to the soft chords and arpeggios in the background. Reflecting a decade of experiences, the song delves into themes of drinking and making music, presented with vulnerability and confidence. It's a creative outlet that beautifully handles the nuances of an early onset midlife crisis, making "No Friends From 2010s" a compelling exploration of self-expression. Listen to more from DaboFlai on their 2023 EP “Off Probation” and their just released album “Nightmares Through Rose Colored Glasses.”
A Sunken Ship Irony "Self-Destruction Is Sort of an Art Form"
In "Self-Destruction Is Sort of an Art Form," A Sunken Ship Irony presents a hauntingly beautiful piece. The jangly acoustic guitar serves as the lone accompaniment to the doubled vocals, creating a stark contrast to the dark lyrics. While the song may seem like an exploration of self-destruction, the hauntingly happy delivery adds layers of complexity. Comparable to Neutral Milk Hotel but with a sadder twist, this track evokes a deep emotional response, leaving the listener with a haunting sense of melancholy. “Self-Destruction Is Sort of an Art Form” is from A Sunken Ship Irony’s 2023 album “Flower Crown.”
